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Frederic Edwin Church
View of Cotopaxi
oil on canvas, by the American artist Frederic Edwin Church. 11 in. x 18 in
Date 1867
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Frederic Edwin Church
Mt. Ktaddn
oil on canvas, by the American artist Frederic Edwin Church. 36 1/4 in. x 55 1/4 in
Date 1853
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Frederic Edwin Church
Chimborazo Volcano
oil on millboard, by the American artist Frederic Edwin Church. 7 in. x 10 in
Date 1884
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Frederic Edwin Church
Oil Study of Cotopaxi Frederic Edwin Church
Oil on canvas
7 1/2 x 12 in.
1861
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Frederic Edwin Church
Mount Katahdin from Millinocket Camp
Date 1895(1895)
Medium Oil on canvas
Dimensions 26.5 x 42.25 in (67.3 x 107.3 cm)
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Frederic Edwin Church
Tropical Landscape
Date c. 1855(1855)
Medium Oil on canvas
Dimensions 28 x 41.3 cm (11 x 16.3 in)
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Frederic Edwin Church
Mount Katahdin from Millinocket Camp
1895(1895)
Medium Oil on canvas
Dimensions 26.5 x 42.25 in (67.3 x 107.3 cm)
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Frederic Edwin Church
Pichincha
Oil on canvas
31 x 48 3/16 in.
1867
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Frederic Edwin Church
Marine Sunset
Oil on canvas 30 1/2 x 42 in.
Date 1881-82
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Frederic Edwin Church
Erechtheum Frederic Edwin Church
Oil on paper mounted on canvas
13 x 12 in.
1869-70
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Frederic Edwin Church
Home
Oil on canvas
1852 122.555 x 81.28 cm (4' x 32")
1852
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Frederic Edwin Church
July Sunset, Berkshire County, Massachusetts
Oil on canvas
1847 101.6 x 73.66 cm (3' 4" x 29")
1847
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Frederic Edwin Church
Study for
Oil on paper mounted on canvas
11 3/4 x 17 1/2 in.
1858
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Frederic Edwin Church
Twilight, Mount Ktaadn
Oil on paper mounted on board
10 1/2 x 13 5/8 in.
1858-60
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Frederic Edwin Church
Frederic Edwin Church
oil on canvas Woodmere Art Museum (Philadelphia)
Date 1857(1857)
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Frederic Edwin Church
Tropical Landscape
1855(1855)
Medium oil on canvas
Dimensions 28 X 41.3 cm (11 X 16.3 in)
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Frederic Edwin Church
Mount Chimborazo
Oil on canvas
7 1/8 x 12 3/8 in.
1863
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| Frederic Edwin Church
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American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour
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